Global Happening
January 2012


Global activity is now possible thanks to the internet and social networking sites, it’s easy to connect people from disparate locations – it’s just a matter of time and labour. I’m spellbound by the idea of a conceptual web connecting people, who might be doing seemingly insignificant activities but on a global scale, which can be put together in film and photographic documentation to view – but it can never be experienced in full – this limitation is one of the attractions.  666_events was my third worldwide performance happening, taking place everywhere from the 23rd to the 28th January 2012.  Each day participants were invited to interpret a single short instructional event and perform it 111 times – there were no other rules, restrictions or regulations and performances could be planned meticulously in advance or spontaneously improvised on the day in quick succession or spaced out.   If each repetition were to last thirteen minutes, then the participants day would be totally engulfed, however, if each repetition lasted a couple of seconds then ninety-nine per cent of the day would be left free.  Participants needed not complete every event, but were free to pick and choose, following the time zone of their country.  It was hoped, but not obligatory, that performances were documented, in audio/visual form, or more abstractly in poetry, sculpture or sketch.  However, this was not the central aim of the project and no-one need even know a performance had happened.  Performances themselves spanned the spectrum from private, unobserved and solitary to extravagant, collaborative and public.

666_events [2010]

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sixty_six_events [2010]

(A collaboration with Andy Ingamells)
Global Happening
January 2010

The Q+A below is an extract from an article in Issue 20 of Blankpages, which can be viewed by clicking here


Why ‘66’ and why the particular date?

In the middle of 2007 I decided I wanted to do something with event scores, which turned into six_events, performed in 29 countries across the globe over six days in January 2008. The 21st January to the 27th January, with the 26th as a rest date. The idea (if there had to be one) was to turn ordinary events into performances.  Six simple activities, getting on a bus and not thinking about the duration of the journey, walking down a road and clapping, entering a building and closing your eyes, buying an item in a supermarket and giving it away, ordering water in a pub but not drinking it and standing in a park looking up at the sky, were to be presented or performed, at a rate of one per day. Each event also contained internal tasks.  I had wanted to repeat six_events the following year, but put it off as I wasn’t happy with simply repeating. Near the beginning of 2009 I decided to simply add a ‘6’ to the event, creating sixty_six_events with the decision that every subsequent two years another ‘6’ would be added. So, in 2012 666_events and in 2014 6666_events.  There was no special reasoning for choosing the dates, as there was no particular special reason for choosing a ‘6’ to begin with.


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Street Scenes [2010]

Street Scenes
June 26th 2010
Midday – 5pm
Old Compton Street, London


Glorious networks of hectically intriguing journeys and fantastic interweaving activities – streets are theatres, if we care to look or not.  Old Compton Street in Soho witnessed the scenes and exaggerated journeys that had been meticulously planned over several months, starting at one end of the street and ending at the other. Premeditated adventures from the simple, quick and unnoticed crossing to the complex extravagant drawn out expedition.



From celebrating closet doors and cake sharing to boiler suits and angry footsteps mixed with break dancers, musicians, Indian dancers, little drummers, theatrical troupes, acting homeless, walking pictures, life size crosses, opera singers, photographers and wandering film-makers   Sometimes performances were blindingly obvious to anyone watching, but sometimes, one couldn’t be quite as sure … did that person sat next to you just sing a burst of opera and is that person sat writing near you writing something specifically about you? Is that everyday existence or calculated commotion?

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